The Indian box office is no longer just witnessing a hit; it is witnessing a tectonic shift in cinema economics. As of January 2, 2026, the Aditya Dhar directorial Dhurandhar has officially entered the “God Tier” of Indian cinema. While most blockbusters begin to fizzle out by their third weekend, this high-octane spy thriller is defying every known law of box office gravity.
Since its explosive release on December 5, 2025, the film has maintained a winning spree that has left trade analysts and exhibitors speechless. With a current domestic collection of ₹784 crores, the film is now surging toward the ₹900 crore milestone. The big question echoing through the corridors of the film industry is no longer if it will be a hit, but rather: Will Dhurandhar become the founding member of a new ₹1000 crore domestic club in Bollywood?
What makes the journey of Dhurandhar truly anomalous is its unprecedented sustainability. Entering its fourth week, the film continues to rake in double-digit collections on weekdays. Typically, big-ticket films lose 60-70% of their momentum by this stage. However, Dhurandhar is experiencing a “repeat audience” phenomenon similar to that of Gadar 2 or Baahubali 2.
The film’s daily trajectory suggests a rock-solid hold. If the current collection speed—averaging ₹12–15 crores daily—continues for the next 10 to 12 days, the ₹1000 crore domestic mark is not just a dream; it is a mathematical probability.
In a testament to its sheer dominance, Dhurandhar has successfully weathered new competition. This week saw the release of #Ikkis, the highly anticipated war drama starring Agastya Nanda and the legendary Dharmendra. While Ikkis has managed to secure a significant portion of the screens and has garnered its own share of critical acclaim, it hasn’t managed to dent the “Dhurandhar Wave.”
Exhibitors report that many theaters are opting to run Dhurandhar in late-night slots and early morning shows to accommodate the overflow of crowds. The shared screen space with Ikkis has actually highlighted the former’s strength; even with fewer screens, the occupancy rates for Dhurandhar remain at a staggering 65-70% across major metros.
A major portion of the credit for this juggernaut belongs to Aditya Dhar. The director, who previously gave India the cult classic Uri: The Surgical Strike, has outdone himself in terms of scale and technical precision. He has managed to weave a complex geopolitical narrative that resonates with the masses while satisfying the “class” audience’s demand for sophisticated storytelling.
The film’s cast serves as a powerhouse of talent, bringing together an ensemble that feels like a “Justice League” of Indian cinema:
- Ranveer Singh: Delivering a career-defining performance that blends raw physicality with emotional depth.
- Sanjay Dutt & Arjun Rampal: Providing the gritty, menacing presence that anchors the film’s stakes.
- Akshaye Khanna & R. Madhavan: Acting as the intellectual pillars of the script, delivering high-stakes dialogues that have gone viral on social media.
- Sara Arjun: The “surprise package” whose pivotal role has become the emotional heartbeat of the film.
If Dhurandhar crosses the ₹1000 crore mark domestically, it won’t just be a win for the producers at T-Series or B62 Studios; it will rewrite the rulebook for Bollywood. Currently, the “1000 Crore Club” is largely an “International” or “Worldwide” metric. Crossing this figure solely within the Indian market would place the film in a league of its own, surpassing the domestic hauls of previous titans like Jawan, Pathaan, and Animal.
The next 12 days are crucial. With no major releases scheduled until mid-January, Dhurandhar has an open field to run. If it maintains its double-digit streak through the coming week, we might see an official announcement of the ₹1000 crore milestone by January 15, 2026.
Aditya Dhar has proved that when you combine a “massy” avatar with a “classy” execution, the box office doesn’t just grow—it explodes. Whether it hits the four-digit mark or stops just short, Dhurandhar is already a historic victory for Indian cinema.
