In an astonishing turn of events, “Mahavatar Narsimha,” the animated mythological epic, is proving to be a true dark horse at the box office, rewriting conventional collection patterns. Made on a modest budget of just ₹4 crore, the film has delivered a staggering performance, with its first Monday collections surpassing both its Friday and Saturday earnings. According to Sacnilk, the film raked in an impressive ₹6 crore on its fourth day, signalling a rare and powerful word-of-mouth phenomenon. This unexpected success story is a monumental triumph for Indian animation and a significant boost for the ambitious “Mahavatar Cinematic Universe,” based on Lord Vishnu’s ten avatars, backed by Hombale Films and produced by Kleem Productions.
Monday Miracle: Collections Surge Past Opening Weekend
“Mahavatar Narsimha,” which hit screens on July 25, 2025, has demonstrated an exceptional upward trend in its box office journey. While most films experience a drop in collections on their first Monday after the opening weekend, “Mahavatar Narsimha” has defied this norm. Sacnilk’s latest reports indicate a remarkable ₹6 crore collection on its fourth day, vastly outperforming its opening day (Friday) and even its Saturday figures. This rare surge on a weekday points to overwhelmingly positive audience reception and a strong word-of-mouth multiplying its reach.
For context, initial reports show the film’s Day 1 collection was around ₹1.75 crore (India net), with Saturday seeing a jump to approximately ₹4.6 crore, and Sunday surging to around ₹9.5 crore. The reported ₹6 crore on Monday, after a phenomenal Sunday, is a testament to its growing popularity.
Small Budget, Big Impact: A Box Office Phenomenon
“Mahavatar Narsimha” was produced on a lean budget of just ₹4 crore. Its ability to not only recover its production costs but to register such significant collections within its first four days marks it as a massive commercial success and a prime example of high return on investment. This achievement is particularly noteworthy for an animated film in India, a genre that has historically struggled to gain mainstream traction against live-action blockbusters. The film’s success is a powerful statement about the potential for well-executed, culturally rooted animated content.
The extraordinary success of Mahavatar Narsimha stands as a shared achievement for Hombale Films—renowned for blockbusters like KGF, Kantara, and Salaar—and Kleem Productions, the visionary animation studio that brought the project to fruition. Hombale Films is presenting the film, providing its considerable marketing and distribution prowess, while Kleem Productions has meticulously crafted the animation. This collaboration is part of a larger, ambitious plan to create the “Mahavatar Cinematic Universe,” an expansive series based on the ten divine avatars of Lord Vishnu.
This long-term commitment aims to bring India’s rich mythological heritage to a global audience through high-quality animation, establishing a unique franchise in Indian cinema. The producers have already unveiled a tentative release calendar for the entire universe, spanning over a decade, signalling their long-term vision.
Rewriting the Narrative for Indian Animation
For years, Indian animation has struggled to compete with its international counterparts and often remained confined to children’s programming or niche releases. “Mahavatar Narsimha” is actively changing this narrative. Its box office success demonstrates that there is a significant audience for high-quality, culturally relevant animated films. It could pave the way for more investments and creative endeavors in the Indian animation industry, inspiring filmmakers to explore diverse stories through this medium.
Future of the “Mahavatar Cinematic Universe”
The extraordinary performance of “Mahavatar Narsimha” has undoubtedly given a strong impetus to the upcoming instalments of the “Mahavatar Cinematic Universe.” The success of this first film validates the ambitious vision of Hombale Films and Kleem Productions, making the subsequent films on avatars like Parshuram, Raghunandan, Dwarkadhish, and Kalki even more anticipated. The film’s director, Ashwin Kumar (who also co-wrote the screenplay), has already spoken about the grand plans for the universe, aiming for a consistent release schedule over the next decade.
